If you need a little pick-me-up, some kind of positive note about your life for this week, remember this: at least you're not Woody Allen.
WA: Human existence is a brutal experience to me…it’s a brutal, meaningless experience—an agonizing, meaningless experience with some oases, delight, some charm and peace, but these are just small oases. Overall, it is a brutal, brutal, terrible experience, and so it’s what can you do to alleviate the agony of the human condition, the human predicament? That is what interests me the most. I continue to make the films because the problem obsesses me all the time and it’s consistently on my mind and I’m consistently trying to alleviate the problem, and I think by making films as frequently as I do I get a chance to vent the problems. There is some relief. I have said this before in a facetious way, but it is not so facetious: I am a whiner. I do get a certain amount of solace from whining.
RL: Are you saying the humor in your films is a relief for you? Or are you sort of saying to the audience, “Here is an oasis, a couple of laughs”?
WA: I think what I’m saying is that I’m really impotent against the overwhelming bleakness of the universe and that the only thing I can do is my little gift and do it the best I can, and that is about the best I can do, which is cold comfort.
RL: In Everyone Says I Love You, the character you play gets divorced, and as he and his former wife review their relationship near the end of the film, she says, “You could always make me laugh,” and your character asks very sincerely, “Why is that important?” Do you think what you do is important?
WA: No, not so much.
